REMIC C5300 LB/WL6 Cello/Violone – Live mic. for wireless systems

The REMIC C5300 LB/WL6 Live supplied with a TA4M connector allows you to connect the REMIC microphone to SHURE (FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1) transmitter modules with TA4F connector.

Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES has been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The REMIC C5300 LB/WL6 Live is based on the same principle as the C5300 LB Live model, but is supplied with a different connector – the TA4M connector, which allows you to connect your C5300 LB/WL6 microphone directly to SHURE wireless systems

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE “LB/WL6” MODEL:

The LB/WL6 microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt (instead of 48 volt). It delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio/Live” model.

The “LB/WL6” model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone. So if you need a microphone with low acoustic feedback response, the C5300 LB/WL6 is the answer.

At the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard.

This model is designed for “loud” live performances, such as folk-rock, pop, rock and metal.
Astonishing high gain before feedback.
Extreme suppression of neighbor instruments and ambient noise.

Please note that the sound response of the “LB/WL6” models are more “dry” and “woodish” in comparison to the “Studio” models, due to their high ambient suppression factor, but can easily be EQed for best results.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

 

FOR WIRELESS SOLUTIONS

975.00 Price excl. VAT/TAX