TWO NEW MICROPHONES 

– FULL FLEXIBILITY TO SWITCH BETWEEN INSTRUMENTS

USE THE SAME MICROPHONE(S) WITH DIFFERENT MOUNTS FOR:
VIOLIN, VIOLA, CELLO, DOUBLE BASS AND BRASS INSTRUMENTS.

REMIC RESHAPE, the new instrument microphones from REMIC MICROPHONES
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RE7100 RESHAPE Condenser Microphone with omnidirectional polar pattern.

RE7100 RESHAPE: High definition condenser microphone with omnidirectional polar pattern for moderate amplification.
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RE7200 RESHAPE Condenser Microphone by REMIC MICROPHONES.

RE7200 RESHAPE: Dual diaphragm high definition condenser microphone with supercardioid polar pattern for extra channel separation in live productions.
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RE7100 and RE7200 RESHAPE

TWO DIFFERENT MICROPHONES FOR DIFFERENT SONIC ENVIRONMENTS

The new RE7100 RESHAPE high-definition condenser microphone with an omnidirectional polar pattern is recommended for studio and live performance requiring moderate amplification such as chamber music, classical repertoire, orchestra amplification, jazz and folk music as well as for soloists. The microphone has a moderate isolation against bleed from neighbor instruments and ambient noise. It delivers a natural and open sound with fast transient response, and it captures the finest and most delicate overtones of the instrument with an astonishing accuracy.

The RE7200 RESHAPE is a dual-diaphragm high-definition condenser microphone designed for live productions. With a supercardioid polar pattern, the RE7200 RESHAPE microphone is recommended for live productions requiring individual amplification of each instrument and extra channel separation such as arena productions with crossover repertoire as well as rock and pop concerts. The RE7200 captures an honest impression of the individual instrument with an even and very natural sound. It delivers good isolation against bleed from nearby instruments and ambient noise.

 

Why should I choose a RESHAPE Microphone?

  • Natural and direct sound, full of nuances and a fast transient response.
  • The microphones capture the finest and most delicate overtones with an astonishing accuracy, reflecting the natural sound of the individual acoustic instrument.
  • Camera friendly and discrete placement on the string instruments.
  • Extended signal-to-noise ratio.
  • Robust and flexible cable covered in a woven cotton fabric to avoid noise, when the cable touches the instrument, a chair or microphone stand on stage.
  • Direct XLR connection.
REMIC CE7000 cello mount used with the REMIC RE7100 microphone.
REMIC RE7200 RESHAPE with BR7000 on brass instruments.
  • Full flexibility to use the RESHAPE microphones on different instruments.
  • Full flexibility to use the RESHAPE microphones on a microphone stand with the pencil holder.
  • Fast and easy to mount and unmount.
  • Consistent sound due to consistency in placement and angle of mount and microphone.
  • Designed for mounting in the optimal place on string instruments for balance between the fundamentals and overtones.
  • Flexible foam mount that does not damage the instrument or varnish (on string instruments).
  • Durable and reliable rubber mount for brass instruments.
  • Easy to replace mounts and repair efter use in rough, fast paced live touring environments.

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Sign up for a demo opportunity of the new RESHAPE microphones. We will direct you to a dealer in your area.

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