REMIC B5201 LB/WL3 Viola – Live Mic. for Wired and Wireless Systems

B5201 LB/WL3 for Viola – Loud Live Productions

The REMIC B5201 LB/WL3 Live supplied with a TRS 3.5 (mini jack) connector allows you to connect the REMIC microphone to Sennheiser EW-series with TRS 3.5 (mini jack) connector.

Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES has been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The REMIC B5201 LB/WL3 Live is based on the same principle as the B5201 LB Live model, but is supplied with a different connector – the TRS 3.5 (mini jack) connector, which allows you to connect your B5201 LB/WL3 microphone to a variety of adapters for Sennheiser wireless systems

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE “LB/WL3” MODEL:

The LB/WL3 microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt (instead of 48 volt). It delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio/Live” model.

The “LB/WL3” model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone. So if you need a microphone with low acoustic feedback response, the B5201 LB/WL3 is the answer.

At the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard.

The B5201 LB/WLM3 are also suitable for other viola related instruments such as Hardanger fiddle / Hardingfele, Nyckelharpa, Drejelire, Hurdy-Gurdy etc.

This model is designed for “extremely loud” live performances, such as folk-rock, pop, rock and metal.
Astonishing high gain before feedback.
Extreme suppression of neighbor instruments and ambient noise.

Please note that the sound response of the “LB/WL3” models are more “dry” and “woodish” in comparison to the “Studio/Live” models, due to their high ambient suppression factor, but can easily be EQed for best results.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

• ASTONISHING FEEDBACK SUPPRESSION
• ASTONISHING SOUND QUALITY
• INNOVATIVE MOUNT
• WATCH PLACEMENT VIDEO
• HOW IT WORKS

FOR WIRELESS SOLUTIONS