REMIC D5400 LB/WL Double Bass – Live Mic. for Wireless Systems

D5400 LB/WL Double Bass/Upright Bass – Live Mic. for Wireless Systems

Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES
have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The REMIC D5400 LB/WL is based on the same principle as the REMIC D5400 LB, and can be ordered with different connectors for selected wireless transmitters to obtain the highest sound quality as well as high flexibility in order to move around on the stage in extremely loud live productions.

The REMIC wireless solutions are developed to fit selected wireless systems from Shure and Sennheiser.

In order to choose the correct connector, you need to select the connector needed for a particular wireless transmitter, please see supported wireless solutions below:

SUPPORTED WIRELESS TRANSMITTERS:

SHURE w/TA4F Connector | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M
SHURE w/3P LEMO Connector | UR1M

SENNHEISER w/3.5 TRS Connector | SK100G3/G4, SK300G3/G4, SK500G3/G4
SENNHEISER w/LEMO-3 Connector | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE D5400 LB/WL MODEL:

The REMIC D5400 LB/WL microphone model is the same as the normal REMIC D5400 LB model only with a different connector.

The REMIC D5400 LB/WL Live model is designed for extreme loud live productions and delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio/Live” model.

The “LB” model represents the highest suppression of ambiente sound-sources ever achieved by a condenser microphone.
So if you need a microphone with low acoustic feedback response, the REMIC D5400 LB/WL is the answer.

At the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there is no clamps and clips in order to mount and hold the microphone.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

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