THE EAGLE HAS LANDED – new innovative microphone for grand piano. The P6000, continues the unique and characteristic craftsmanship of REMIC MICROPHONES. Capturing the sound of a grand piano is often met with a lot of compromises …
Get your hands on the REMIC P6000 Grand Piano microphone!
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The new P6000 continues the unique and characteristic craftsmanship of REMIC MICROPHONES, and is now revolutionizing more than 70 years of grand piano miking traditions.
Since 2011, artists, concert halls, theatres, broadcasters and recording studios have all been using and testing several variants of our grand piano microphone. Now we’ve gathered all experiences and knowledge in this new model which is based on our latest technologies.
Capturing the sound of a grand piano is often met with a lot of compromises and many of these are based on traditions. In a live setting it often includes microphone stands in front of the piano or gooseneck mics sticking out on the top of the grand, which is a disturbance to both artist and audience.
The sound engineer always strives for the best possible sound, but for many reasons, a struggle is inevitable in order to reach the final goal.
For example the well known phase issues, when a whole arsenal of microphones is used to cover the entire instrument and at the same time prevent bleed from other instruments or acoustic feedback from PA or stage monitors.
With the REMIC P6000 Grand Piano microphone you will get;
- Swift and easy installation
- Solving the well known phase issues (get rid of the time-killer)
- Preserving the aesthetics of the instrument (no mic stands or goosenecks to distract the artistic performance )
Through many years of cooperative work with our user driven innovation platform, REMIC MICROPHONES unify microphone, instrument, artist and sound engineer, in order to fulfill the true expression of musical art and breaks down one more barrier between artist and audience.
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