REMIC D5401 WL3 Studio Concerto Bass Microphone for Wireless Systems

D5401-WL3 Studio Microphone for Concerto Bass – for Wireless Systems

The REMIC D5401-WL3 supplied with a TRS 3.5 (mini jack) connector allows you to connect the REMIC microphone to Sennheiser EW-series with TRS 3.5 (mini jack) connector.

Due to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The D5401-WL3 is based on the same principle as the D5401 Studio model, but is supplied with a different connector – the TRS 3.5 (mini jack) connector, which allows you to connect your D5401-WL3 microphone to a variety of adapters for Sennheiser wireless systems.

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE D5401-WL3 MODEL:

The REMIC D5401-WL3 Studio microphone model is based on the same principle as the normal REMIC D5401 Studio model, only with a different connector and adapted for lower voltage.

The REMIC D5401-WL3 Studio model is designed for studio productions and delivers a natural and open sound, an extreme accuracy and fast  transient  response that captures the finest and most delicate overtones of the instrument. It is typically used for moderate amplification in studio performance of chamber music, classical repertoire, jazz, folk music and soloists. It has moderate suppression of neighbor instruments and ambient noise.

The microphone will maintain the aesthetic appearance of the instrument towards your audience, since there is no clamps and clips in order to mount and hold the microphone.

The height of the D5401-WL3 model is 95 mm and typically fits double basses used in orchestras, where the instruments typically have a higher string tension. The higher string tension is typical for double basses used in orchestras as the bow is used much more for the classical repertoire than in a jazz context for examples. The high string tension means that there is more distance between the stings and the body of the instrument and a taller model of our double bass microphones is needed: The D5401-WL3 model for concerto bass.

With Built-In Windshield

The built-in windshield is designed  to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield option, you do not need to add any other windshields to your microphone. The built-in windshield will not change the quality of the microphone in other performance contexts.

How to mount your REMIC Double Bass Microphone

Any publication of REMIC MICROPHONES on this website may include technical inaccuracies or typografical erros. Changes may frequently be made to these publications

All products and publications of REMIC MICROPHONES are subject to change without notice.

All products of REMIC MICROPHONES including designs, technical functionality and placement of function is protected, unauthorized reproduction or distribution of these products or parts thereof is considered as unlawful, which we may act upon.