Jon Chapple meets veteran engineer Thorkild Larsen, founder and CEO of REMIC MICROPHONES.
“We know that the musicians invest vast sums in finer instruments, and for the same reason we believe that they should have the opportunity
to choose the perfect solution for a precise and more refined tonal reproduction”.
The Silkeborg, Denmark-based manufacturer, REMIC MICROPHONES founded in 2012, promises to offer the revolutionary – “the best suppression
of acoustic feedback ever achieved” – with its line of microphones for classical musical instruments.
POWERED by SAM
(Soundboard Area Microphone) technology – which REMIC states allows the sound of an instrument to be “partly captured immediately after the first air molecules are set in motion by the soundboard of the instrument” and partly “in a limited and strongly controlled nearfield, which captures the overtone register of the instrument” – the aim is of course, to eliminate pollution from unwanted sources of sound, like reflections from the venue, PA system, stage monitors and other instruments.
MIC AND THE MECHANIC, mic and the mechanic,technology – which REMIC states allows the sound of an instrument to be “partly captured immediately after the first air molecules are set in motion by the soundboard of the instrument” and partly “in a limited and strongly controlled nearfield, which captures the overtone register of the instrument” – the aim is of course, to eliminate pollution from unwanted sources of sound, like reflections from the venue, PA system, stage monitors and other instruments.the best microphone for violin, the best microphone for cello, the best microphone for double bass, upright bass, how to choose the right microphone,the best microphone for live performance, the best mic for live performance, the mic that doesn’t feed, anti feedback mic, anti feedback microphone.