V5200/WL Violin/Viola – Studio/Live Mic. for Wireless Systems
Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES
have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.
The V5200 /WL is based on the same principle as the V5200, and can be ordered with different connectors for selected wireless transmitters to obtain the highest sound quality as well as high flexibility in order to move around on the stage in live productions.
The REMIC wireless solutions are developed to fit selected wireless systems from Shure and Sennheiser. In order to choose the correct connector, you need to
select the connector needed for a particular wireless transmitter, please see supported wireless solutions below:
SUPPORTED WIRELESS TRANSMITTERS:
SHURE w/TA4F Connector | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M
SHURE w/3P LEMO Connector | UR1M
SENNHEISER w/3.5 TRS Connector | SK100G3/G4, SK300G3/G4, SK500G3/G4
SENNHEISER w/LEMO-3 Connector | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000
Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.
More about the “WL” Model
The REMIC V5200/WL is designed for studio and live productions and delivers a natural and open sound, an extreme accuracy and fast transient response that captures the finest and most delicate overtones of the instrument.
High definition condenser microphone with superior feedback suppression and high isolation of nearby instruments.
Since there is no clamps and clips in order to mount and hold the microphone, you retain a full and undisturbed view of the fretboard.
The V5200 WL are also suitable for other violin related instruments such as hardanger fiddle / hardingfele, nyckelharpa, drejelire, hurdy-gurdy etc.
With or Without Built-In Windshield
Choose whether you want the microphone with or without a built-in windshield. The built-in windshield is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield option, you do not need to add any other windshields to your microphone. Choosing the variation with the built-in windshield will not change the quality of the microphone in other performance contexts.
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